Pandemic

In March, theaters in Rhode Island were ordered to close. Galleries openings and gigs were called off. Artists were among those suddenly scrambling to find work, and make sense of the crisis unfolding around us all.

The COVID-19 pandemic touched every aspect of our lives, from the way we work and learn, to the way we spend time with loved ones. 

It forced us to confront death, loneliness, boredom, and perhaps ourselves.

-John Bender & Sofia Rudin

The Public's Radio

Been Essential

The “Been Essential” digital print was created as part of the “Mi Gente Siempre Responde” Providence Public Banner Project administrated by Latinx artist Shey Rivera. Created in August 2020, the piece was printed on an 8×8 banner and is on display on the Southside Art Center’s west wall.

Tracy Jonsson-Laboy is a multi-media artist and historian living in Providence RI. She is polymath with a particularly passion for music, public art, equity, urban design, architectural history, and the philosophy behind designing for the public good.

This piece represents my mom and other Dominican and BIPOC workers in the health-industry. It is part of a series I am developing that elevates the BIPOC community as relevant and precious to the proper functioning of our society.

Tracy Jonsson-Laboy

Coronavirus

Martha Sherman

THERE WAS A TIME, 

MIDWAY THROUGH MOTHERHOOD

WHEN I WOULD YEARN

FOR THE SWEET CESSATION OF BOYISH SHOUTS,

FOR TIME TO SHAPE MY THOUGHTS.

TO WRITE THEM OUT, 

SILENCE I CRAVED

THERE WAS THE THREATENING BUMP

OF KIDDIE CARS

TRYING TO RIDE THE STAIRS,

THE ENDLESS BEAT OF “RACE CARS

IN ACTION” ON THE RECORD PLAYER,

THE EXULTANT CRIES WHEN POLE VAULTS

CLEARED THE CLOTHESLINE.

NOW, ISOLATED BY GERM AND AGE

FROM THE CACOPHONY OF YOUTH AND LIFE

I REJOICE IN BIRD SONG

AND THE SOUND OF OARS

CUTTING THE QUIET OF A PLACID RIVER 


“Martha Sherman lived to be 101 years old and wrote the poem shortly before she died.  She and her husband raised four sons.  In her poem she reflected on the fact that there was constant noise and activity in the house when her sons were growing up, and recalled some memorable moments, including one son trying to ride a tricycle down the stairs, the constant playing of an LP that consisted solely of noise from race cars, and a son who had a passion for pole vaulting over the the clothes line in the backyard.  There was very little peace in those days!”

– Deming Sherman, Martha’s son

This poem was originally published in the Laurelmead Journal and was posted to RI COVID Archive

"I started painting "Nesting Instinct" right as the pandemic hit in March of 2020. It was so scary to go out - no one knew what was happening or how bad the virus would be."

Nesting Instinct

"I liked the imagery of a nest safe and protected in a cardboard box, but also felt the way the eggs were precariously balanced as though they might tip over the edge really captured what I was feeling."

"Lovable"

Roz Raskin released their first full length album as Nova One, "Lovable," as the pandemic began and Rhode Island locked down.

"I tend to be a social person, but in the six months I was writing that record, I spent a lot of time by myself, in my studio, just really trying to keep my life together."

NOVA ONE is a Providence, RI based musical project who explores youth, femininity, and gender through a moody 60’s pop lens led by Roz Raskin. Their most recent album “lovable” explores the necessity of honoring the slowness of healing. It examines the importance of self-acceptance and the process of seeing and understanding one’s sexuality and gender presentation. 

The album was released in April, and was recorded locally in Rhode Island at Big Nice Studio.

Transforming House Poem

Rosalynde Vas Dias

The transforming house is



grief


the transforming house is

frustrated by talking  / being


walked out on              in the middle


it stamps around its room / sinks to

the ocean floor


you hum in the middle of it

doing anything—stringing popcorn

or pasting tissue down on an old beer


bottle.  Trying to           redirect.

There there                you know owl


pellets         kidney stones          what

the body has                 that it cannot use


coughed up or               tearing out of you

making your urine bloody           what the house


has          its like that                 its worse

Rosalynde Vas Dias is a poet and writer in Providence, RI. 

“I wrote the transforming house poems in May of this year.  Like many folks, I was spending my working and living hours in my home  & started thinking about the home itself as an organism or magical creature.

In some ways, I think I wanted to open up the idea of the home—to make it more mobile & therefore mysterious or threatening or revealing to the person in the poem inside the home— which strikes me as another thing I am curious about—how far up or down a kind of “nesting” (like Matryoshka doll nesting) goes.”

Viral Load

paint + hand sanitizer

"At the beginning of the pandemic, during the first lockdown, I used some bad-smelling hand sanitizer that came from the local distillery as a paint additive. A friend said it looks like a virus. Voila!"

“Inspired by nature and the need to stay creative while “sheltering in place” in the spring, I began a series of daily “still life” works, assembled with three things from my limited surroundings; something from nature, an object from my home and an artwork or textile that I created. This became a daily practice.” - Paula Stebbins Becker

Paula Stebbins Becker is an artist and freelance textile designer  based in Tiverton, RI.  

This artwork is one of a series posted daily on Instagram @paulastebbinsbecker.

Three Stones

Wishing Puff

COVID Blues

“My family participates in The 48 Hour Film Project each year.  We’ve done several remotely this year  while unable to work together in real-world situations.
 
Our latest movie was made in November. We were assigned “musical” as a genre. None of us can sing but thankfully we have a non-family member on the team that has super musical skill.”
– Nancy Knott 

Isolating Together

Eli Nixon is a Rhode Islander living on Wampanoag Land who builds portals and gives guided tours to places that don’t yet exist. They are a settler-descended transqueer clown, cardboard constructionist, and maker of plays, puppets, parades & low-tech public “spectaculah.” 

Eli created “Isolating Together” in the first few weeks of the Covid pandemic in Pawtucket. It was screened as part of the Great Small Works (zoom) Toy Theater Festival at the start of April, 2020. They made it without leaving the house.

Isolating Together

Eli Nixon is a Rhode Islander living on Wampanoag Land who builds portals and gives guided tours to places that don’t yet exist. They are a settler-descended transqueer clown, cardboard constructionist, and maker of plays, puppets, parades & low-tech public “spectaculah.” 

Eli created “Isolating Together” in the first few weeks of the Covid pandemic in Pawtucket. It was screened as part of the Great Small Works (zoom) Toy Theater Festival at the start of April, 2020. They made it without leaving the house.

"2020 began with an optimistic hope that the nation would find clarity of purpose.

This suite of drawings reflect my observations on how that didn't happen."

Diana Cole is an artist and writer based in Warren, RI. 

This series of poems, written in the early stages of the pandemic, imagines how various people might be responding to the quarantine.

Sharing this crisis has given us a keen awareness of our common vulnerability and so we share our fears and small braveries across the globe. But our stories are also uniquely individual. This poem suggests the subtle shift in one family’s dynamic that happens because of the lock-down.”

Quarantine for Better

My sister says she is getting along

better in these stranger times     

with her husband of forty years.


Forced to live in familiar

proximity — but 24/7 —

has brought them to a kind of truce.


It’s either break all the dishes

the sound barrier,

or find a new routine


like the porch project. She picks

pansies for window boxes,

plans where the table will go


while her husband finds the table online,

searches sites for roll up shades, 

scrolls doggedly for the best price.


They trade off each other, 

knowing if one of them

catches it, they both will. 


In a corner of the porch eaves

two finches nest. One feeds, one keeps watch

on the crows mobbing the elm tree.


For my sister the dirty cup in the sink is not cause

for the raucous outcry it once was.

Better that she work out knots in his back, 


that he defer to her film choice —

The Lady Vanishes — in black and white.

Better to stuff the old news into the fireplace.



First Published in Montana Mouthful, Fall 2020


“I completed the charcoal drawing in April, 2020, about a month after the high school had switched to full time distance teaching.

Darrel Sutton is a history teacher at North Kingstown High School.

This piece and several others in this gallery are also featured in the RI COVID-19 Archive

The piece was based loosely on Robert Frost's "Stopping by the Woods on a Snowy Evening" and showed my desire to be away from technology and the long road that it would take to get through the pandemic.”

Conversations With

My Selves

"One of the driving concepts behind the piece was isolation as an artist. In times of isolation, we can project different sides of ourselves onto our environment and actually create a conversation between these selves."

“We composed the piece using ‘mental score paper’ (in the words of Charles Mingus), which meant we were composing the piece without notation.”

This piece was a collaboration between Zan Berry, a Providence based cellist, and composer Pascal Le Boeuf.

“Conversations with My Selves” was created in July as part of the 1:2:1 online festival which brought together a wide range of composers and performers to make solo string works.

The video features the video editing and creative video synthesizer work of Eric Whitmer and Austin Richey, respectively.

Conversations With

My Selves

"One of the driving concepts behind the piece was isolation as an artist. In times of isolation, we can project different sides of ourselves onto our environment and actually create a conversation between these selves."

“We composed the piece using ‘mental score paper’ (in the words of Charles Mingus), which meant we were composing the piece without notation.”

This piece was a collaboration between Zan Berry, a Providence based cellist, and composer Pascal Le Boeuf.

“Conversations with My Selves” was created in July as part of the 1:2:1 online festival which brought together a wide range of composers and performers to make solo string works.

The video features the video editing and creative video synthesizer work of Eric Whitmer and Austin Richey, respectively.

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